Apr 30, 2013 | apropos//ts, art with
Are faces our identities? Are they what make us different, set us apart? If there are seven billion people alive right now, are there any with identical faces? Or do we embody the people who came before us, wearing the face of a great-grandmother or uncle instead of a new one we think is our very own? These artworks take away the faces, showing people but hiding what makes them identifiable. It makes each figure more universal but also leaves you with an eerie feeling, like they have something to hide for a reason.
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1. Bernhard Handick, Fine
Feathers Make Fine
Birds (2012)
[zl_mate_code name=”Green Dynamic” label=”4″ count=”1″ who=”div” text=”Just a black shirt against white, there’s a neck and a hint of chin but his skin blends into the background and his face evaporates in an instant.
All that’s left is the long trunk of a man who’s quickly fading.”]
[/zl_mate_code] Source: razorshapes.tumblr.com
2. Thomas Devaux, Les Visages
et La Main
[zl_mate_code name=”Pink Dynamic” label=”1″ count=”1″ who=”div” text=”They looks like sisters, but the one turned away holds her hand to the other’s breast unapologetically. Their faces can be seen, but they’re smudged and the eyes are empty. The woman being touched leans her head back at an angle that’s only slightly crooked, and it’s creepy and mysterious, like she’s somehow disturbed.”]
[/zl_mate_code] Source: anitaleocadia.tumblr.com
3. Clare Elsaesser, So
Much (2013)
[zl_mate_code name=”Orange Dynamic” label=”3″ count=”1″ who=”div” text=”This girl’s nose peeks through so she has a face, but most of the rest of it is masked by flowers.
She stands against a pale blue background with her arms folded and doesn’t seem to notice the clusters of pink petals smothering her figure.”]
[/zl_mate_code] Source: this isn’t happiness
4. Delaney Allen, Hidden
Self (2012)
[zl_mate_code name=”Green Dynamic” label=”4″ count=”1″ who=”div” text=”A man standing in the sand faces us head on. We can see everything from his stylish leather shoes to his checkered button-down with the sleeves casually rolled up.
His face is the only part we can’t see – sand streaks across the frame and his head is lost in a cloud of white.”]
[/zl_mate_code] Source: likeafieldmouse.com
5. Faceless from The Nightmare
Factory
[zl_mate_code name=”Blue Dynamic” label=”2″ count=”1″ who=”div” text=”An archaic looking image in black and white, a man turns his face toward the light and it looks like someone took an eraser to the whole thing.
His face is washed out by the light completely, becoming nothing but empty space.”]
[/zl_mate_code] Source: thelinktoheaven.tumblr.com
6. Photography from Kyle
Thompson
[zl_mate_code name=”Pink Dynamic” label=”1″ count=”1″ who=”div” text=”In this conceptual photograph his face is covered by a long white sheet that spirals out towards the frame, lifting his body as the rest of him hangs straight down.”]
[/zl_mate_code] Source: beautiful decay
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Apr 29, 2013 | photography
These tiny people in their makeshift worlds are just too adorable. What was a rug and an iPhone for us becomes a whole swimming pool on soft green turf for them – people so small they can’t be bigger than a fingernail.
In his series called iPhoneland, Texas photographer JD Hancock has an iPhone set the stage for four miniature scenes of teeny tiny people doing outdoor activities, all set atop artificial green rug grass. In this world, nature is fluffy and plush and things shine like they have a backlight – kind of like a utopia where we let technology wash over us and suddenly we’re small in comparison. But we don’t care because it’s not the evil kind of technology, it’s the kind that makes life easier and facilitates progress.
JD Hancock started building websites professionally in 1995, and he’s worked at startups as everything from owner and product manager to web designer and customer support. His career in photography has been just as successful and his work has been featured in the New York Times, Forbes, Wired and The Guardian.
You can read more about his life and the fact that he’s an actual cyborg on JD’s website.
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[/zl_mate_code]See more from JD Hancock on his Flickr and his website.
Source: Lost at E Minor.
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Apr 29, 2013 | sculpture
Kelly Campbell Berry brings stories to life by turning books into a visualization of what’s within them, creating characters that float before the very text that breathed imagined life into them in the first place. The books open and the centers of their pages are ripped out to create a stage for the dynamic jumbled scenes of collaged settings and characters, whose illustration styles match the style of writing within them. The Wizard of Oz is colorful and young, and The Tales of Shakespeare is reminiscent of the Renaissance and based in realsim. Gulliver’s Travels is the only closed book and the characters seep out of the sides of it like the cover’s illustration is leaking.
The best part about these book sculptures is that they’re for sale at Kelly’s Etsy shop for less than you’d expect, ranging from Arabian Nights at $150 to Peter Pan and Twenty Thousand Leagues Under The Sea at $200.
Kelly said,
“I am truly amazed at the ability some people have to arrange words in such a way that we, the readers, can actually ‘see’ into the imagined world of the writer. We relate, feel, and become invested in the characters so deeply that we are pulled into their world for a brief moment of escape. My book sculptures are my way of showing what the words on the pages create in the imagination of the readers.”
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See more from Kelly Campbell Berry on Etsy and on her Tumblr.
Source: My Modern Met
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