Water Lilies, Monet, 1914-1926

Water lilies, water lilies, water lilies. One of the most renowned and beautiful pieces of art sits before me right now. I mean, I couldn’t not write about it. Or at least try. I don’t know when these paintings arrived at the MoMA, but I’m so glad they’re here. The different layers of water, white, and lillies gives the whole scene so much depth. The rich, whitest pink that reflects the clouds above, along with the dark deep shadows on the right, lets me imagine the world outside this piece, and imagine myself in it. Another layer of depth comes from the varying shades of blue, indicating which spots of the lake are the deepest within the water. The green lillies are surrounded by a light hue of purple in some places, setting them apart while blending them into the blue water beneath at the same time. So so beautiful. Everyone come see it in person. Right this second.

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Calder’s Circus, Alexander Calder, 1926-31

Lion and Cage from Calder’s Circus, 1926-31, from thecityreview.com 

Wire and fancy. That’s how I would describe this piece, or pieces rather. Three huge sets of miniature circus performers made of made of metal, wire, fabric, and yarn. A metal plated kangaroo the size of my hand rolls on ribbed washers. A clown wearing multi-colored layers topped by a lion coat has an almost ironically painted smile of red on his small wooden face. A lion with a plush face, yarn mane, and wire body is being tamed outside his cage by his wire-bodied master. And there’s tight-rope walkers, cowboys, acrobats, sword swallowers, everything expected of a circus setting, even the ringnmaster. I think I like it so much because there’s something about the idea of the circus that lends itself to being portrayed through this fanciful, although unglamorous, medium of wire.

Calder’s Circus, 1926-31, from the Whitney Museum of Art’s website.
Alexander Calder, Roaring with his Circus Lion, 1971, from kaufmann-mercantile.com .
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On Deck, Malcolm Morley, 1966

Magna on canvas. At the Met.

The title pretty much says it all with this one. Well, either “On Deck” or “Reminiscent of a 60s Coke Ad.” “On Deck” is probably more poignant, not to mention accurate considering no one in the image is even holding a coke. Instead we see couples having another kind of drink on the deck of a cruise ship. Headscarves and sunglasses are worn by those around a red table holding red drinks. One man on the right stares solitarily into the distance, but everyone else seems to be engaged in general merriment, or at the very least conversation. This was definitely during a time when cruise ships were the exotic luxuries they started off as, and not the smelly, crowded islands of isolation they are now. The colors are incredibly rich– the bright blue sky with thin whisky clouds mirrors the blue clothing of those at the table. The woman closest to us has her bare legs in the sun’s rays as she enjoys a cigarette. The glamorous side of a regular life.

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