Regina Spektor’s “Don’t Leave Me (Ne me quitte pas)”

Regina Spektor’s music sounds happy, but there is always a profound underlying idea beneath the lyrics. There’s a duality to it that wouldn’t be noticed if you didn’t listen closely, a paradox of cheerful melody versus intense philosophical discourse. Regina keeps her words specific enough to mean something and ambiguous enough to be left open to interpretation, so that each of us can decide how serious we’d like her songs to seem that day.

Her song “Don’t Leave Me (Ne me quitte pas)” comes from her most recent album What We Saw From the Cheap Seats, which addresses everything from corruption in politics to hoarding masterpieces in museums. And even though “Don’t Leave Me” sounds like the merriest tune on the track, it’s also one of the most heartbreaking, as each verse leads you to another person desperate not to be left alone. The French part of the song “Ne me quitte pas, mon chere” literally translated means, “Do not forsake me, my dear.”

The song plays with bubbles as the beat, they dance past one another like a funkified merry-go-round. The peppy beat works to comfort the sad people in the song – all of them placed in different parts of New York City, the one place in the world where you can have people crushing you on all sides and still be alone.

The first character on Bowery is cast as a raggedy bum, stumbling down the street and asking for a light. The second character comes as an aging woman uptown, the kind that puts all her effort and money into slowing down time’s effect on her body. Children sledding in the Bronx make the third verse adorable, who invites the listener to “play along and catch a cold.” The first two adults ask for deities and ghosts – something to believe in and make them sure of one thing at least. But as always the children show us how its done, because at the very least we can at least be sure of each other. Even if they let us down, it’s more important to connect with the people around us than search for things we can never be sure of.

More than anything though, the song is a cheerful justification for why we’re not meant to be alone. Rome wasn’t built by one person anymore than it was built in a day.

 

“Don’t Leave Me” lyrics:reginaspektor

Down on Bowery they lose their
ball-eyes and their lip-mouths in the night,
and stumbling through the streets they say,
“Sir, do you have a light?”
And if you do then you’re my friend,
And if you don’t then you’re my foe,
And if you are a deity of any sort
then please don’t go.

Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas

And down on Lexington they’re wearing
new shoes stuck to aging feet,
And close you’re eyes and open,
And you’ll recognize the aging street,
And thing about how things were right
When they were young and veins were tight
And if you are the ghost of Christmas Past
then wont you stay the night?

Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas

Down in Bronxy-Bronx the kids go
sledding down snow-covered slopes
And frozen noses, frozen toes
and frozen city starts to glow
And yes, they know that it’ll melt
And yes, the know New York will thaw
But if you are a friend of any sort
then play along and catch a cold!

Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas
Ne Me Quitte Pas, Mon Chere
Ne Me Quitte Pas

I love Paris in the rain.
I love, I love, in the rain…

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Dan McDermott’s Speeding Oils

She leans forward laughing, and her hair streams behind her head like the tail of a shooting star. Dan McDermott’s paintings put the scene in fast forward, including present and almost-present scenes together in a way that makes the action look like it’s happening at light speed.

In the stiller scenes, the paint casts the image through a 1950s television screen  – almost clear but with slightly distorted colors and fuzzy details. McDermott’s paintings shows the past as we would remember it if we’d lived through it ourselves – fleeting happy memories and faces frozen in time.

Good Times I, 2010 Oil on canvas

Good Times I, 2010
Oil on canvas

 

McDermott is represented by the Mark Jason Gallery in London, which writes,

“His extensive body of work is derived from an ever expanding archive of images that for him have an emotional resonance, frozen frames from film and television that are trapped within the decades from which they were born.

The final choice of image will have gone through several layers of processed visual media which McDermott is somehow able to capture in the fast and energetic application of paint.”

 

Red Dress, 2007 Oil On Canvas

Red Dress, 2007
Oil On Canvas

Model, 2008 Oil on canvas

Model, 2008
Oil on canvas

For more of Dan McDermott’s work, see his website.

 

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Adam Cvijanovic’s “Stardust”

"Stardust," 2010 flash acrylic paint on tyvek 12 x 30 feet (144 x 360 inches)

“Stardust,” 2010.
flash acrylic paint on tyvek
12 x 30 feet (144 x 360 inches) Image from artist’s website.

 

“Stardust” is a flash of make-believe, tricking your eyes into seeing something only found through a very powerful telescope or on the background of a Mac. The wall is painted like its falling apart, crumbling to reveal the image that’s breaking through behind. A star appears to be exploding – mid-transition on its way to becoming a white dwarf or a black hole – something other than what it used to be. With an asymmetrical form glowing bright, white light springs from the center while the rest of it shines red through the clouds that cover it.

 

Image via Slow Show.

Image via Slow Show.

 

Adam Cvijanovic is a 54-year-old artist born in Cambridge, MA and now living in New York City. His work has been featured in the New York Times, Time Out NY, the New Yorker, along with ArtSlant, ARTnews, and Art Forum. He is currently represented by Postmasters Gallery in New York, and according to his CV he was continuously creating and exhibiting work from the mid-eighties until 2010, but hasn’t publicized making anything since.

 

For more of Adam’s work, see his Postmasters profile

Image via Slow Show.

Image via Slow Show.

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