Game of Thrones Season 3 Premiere: Dragons, Scars & Fighting for the Living

Warning: Spoilers below. Don’t read on until you’ve seen the Game of Thrones Season 3 premiere – it deserves both watching and describing.

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John Snow as he watches the giant.

 

A black screen looms while you hear sounds of White Walkers, screeching and taking lives. Then a BOOM and the sun rises on the horizon as Sam finds a fellow man of the Night’s Watch, kneeling and holding his own head in his hands, his whole body frozen over, blood solidified. At the end of Season 2, we left Sam cowering behind a rock as the White Walkers wandered past him, the leader noticed him but moved forward anyways – a dramatic nuance not mentioned in the book.

The Season 3 premiere continues each story line from the exact point of departure at the end of Season 2 – although there are so many characters to cover, some don’t even get screen time. Both sets of Stark children on the run, both Arya with her friends, and Bran and Rickon with their wildling protector, weren’t mentioned at all – except for when Little Finger promised Lady Sansa that she’d be seeing her sister soon, even though he has no idea where she is.

The episode begins beyond the wall, first with Sam and the ranging Night’s Watch and then to John Snow being led by his sexy-yet-dangerous Ygritte to the wildling’s king. On the way we see the first giants – huge and deformed, and John Snow stops as we watch one pound a stake through the snow.

Gradually the show reveals more and more of its magical side, separating it bit by bit from our world – easing us into it like its folklore, and slowly preparing us for the time when winter will come and all of those things that “died thousands of years ago” will become very very real.

When John Snow meets Mance Rayder to be judged, he gives the perfect response to the question, “Why do you want to join us?”:

“Thousands of years ago, the First Men battled the White Walkers and defeated them. I want to fight for the side that fights for the living. Did I come to the right place?”

 

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Another flawless confrontation scene comes when Tyrion meets with his father and demands he be given Casterly Rock, since he is the rightful heir as the oldest son. He’s hurt that his father didn’t come to see him since his injury, after he stepped up and led the charge in battle while the ‘King’ Jeoffrey “quivered in fear behind the walls.” Lord Tywin and took all the glory away from him, and at the same time he took his job as Hand to the King, and his chambers. But his father is still bitter that an imp took his wife away from him – says he’ll give him a better job and a better place to live but when Tyrion asks why Casterly Rock shouldn’t be his, Tywin ends with sharp words that seem to reopen the wound across Tyrion’s face as it falls to pieces:

 

Tyrion's introduction to Season 3

Tyrion’s introduction to Season 3

 

“You, who killed your mother to come into the world? You are an ill-made, spiteful little creature full of envy, lust, and low cunning. Men’s laws give you the right to bear my name and display my coors since I cannot prove that you are not mine. And to teach me humility, the gods have condemned me to watch you waddle about wearing that proud lion that was my father’s sigil and his father’s before him. But neither gods nor men will ever compel me to let you turn Casterly Rock into your whorehouse.”

Tyrion just sits there and takes it, his eyes sinking and his heart falling. Everything in his life was decided for him at birth, before memory, and before choices. He tries to make as much of himself as society will allow, but spends his days watching Cersei and Jamie and Joffrey make one selfish choice after the next one, doing whatever they please with no consequences at all.

 

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But some of the best quotes of the episode come from Sansa while she sits on the at the shore with Shae making up stories about where the boats are going:

“But it’s not coming back. The captain’s tired of risking his life so King’s Landing lords and ladies can get drunk on better wine than they deserve.”

And when Shae actually knows where one of the ships is going she says, “That’s not how the game works. You’re not supposed to just blurt out the right answer. You’ve got to invent a story about where the ship is going and why.”

“Why should I make up a story when I know the truth?”

“Because the truth is always either terrible or boring.”

 

 

We don’t see Daenerys Targaryen’s dragons till 35 minutes in, but it’s worth the wait:

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For more on the new season, check out the following:

 

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Peeta’s 3D Graffiti

Sharp swoops emerge from the walls of parking garages and the sides of buildings, the one below is covered in shades of electric colors layered according to saturation with the densest boldest blue on bottom. The lettering seems to jut out into three dimensions, forming abstracted S-shapes with dramatic twists and extensions that reach up to the whitened top. It’s almost like a conglomerate of unfinished CGI designs from an oriental-themed Transformers movie, painted in lovely bold colors.

Sometimes the shapes take simpler forms, individual pieces of three-dimensional abstract shapes floating in space, usually arranged around the shapes that surround it. They form composite designs that are electrified by the power of whatever force keeps those shapes above ground, and the bright colors that slash their way through the forms only amplify the piece’s momentum. This 3D graffiti is created by the Italian artist Peeta, and his splices of futuristic bundles cover walls all over Italy.

 

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September 2012, Banja Luka (BA) Graffiti Writing Jam

 

Peeta is also known as Manual Di Rita, and he has been a graffiti artist in Venice since 1993. By breaking down typographical forms and remaking them into dynamic shapes with deep shadowing, the whole design recesses into the wall. He said he particularly focuses on the lettering in his own name, Peeta, playing with the shapes of the letters and how much they can be twisted to become something else.

 

In an underground parking in Milan Italy, April 2009

In an underground parking in Milan Italy, April 2009

 

In the Venice Industrial Port, Italy.

In the Venice Industrial Port, Italy.

 

“Thus my own lettering is brought into the fluidity of the urban, where words are continuously ruptured from their own histories, readapted into idiom and gestures learned off the street,” he said,

“The final result derived from the fusion between traditional lettering and three dimensional style has ended up in giving life to a unique kind of visual rhythm, created by the intersecting lines between sections of conic, cylindrical and twisting surfaces. The role of sculpture comes to be essential for this purpose. It represents for me a direct contact with three-dimensionality in order to understand the rules of light and shadows and to reproduce them.”

 

Wall in Milan, Italy

Wall in Milan, Italy

 

For more of Peeta’s work, check out his website & Flickr.

 

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Dave Engledow is the World’s Best Father

 

Dave Engledow is recording his daughter’s childhood in a way more creative than most, but then again he is a professional photographer. He calls this series World’s Best Father, and manipulates pictures of him and his daughter doing dangerous things together – the kinds of things people call Child Protective Services about as soon as they’re out the front door.

Keep an eye out for his not-so-deserved World’s Best Father mug that makes an ironic appearance in every scene.

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His tiny daughter Alice always has the most adorable expression on her face, while Engledow’s is purposely overdramatic and hilarious, wide-eyed in wonder or weeping like a sad clown might. He endearingly calls her by her full name, Alice Bee, on his Facebook page and writes, “I love photography, and (to paraphrase Garry Winograd) my main drive to shoot is fueled by my eternal curiosity to see what the world looks like in photographs. I am fascinated by light and shadow, form and shape, lines and composition.”

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Alice always looks like she’s having a good time though, except in scenes where she’s forced to do chores or fulfill her father’s expectation to raise an Olympic swimmer. Her bright blonde hair is always styled to fit the part too – tied up in cute little buns and ponytails on top of her head, and extra wild when she’s on the loose.

The manipulation on the photos matches the detail put into comprising the scenes too, often with a shiny surreal sheen over them that somehow just makes the scene look more realistic. In one photo he’s scolding her through an iPad even though he’s right across the couch, but Alice doesn’t care because there’s no way she’s eating those peas.

 

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Images from Joe’s Daily, and the artist’s Facebook page. Like his page to keep updated on Alice’s new adventures.

 

 

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