7 Contemporary Works About Duality

Duality is defined as “the condition of consisting of two parts, elements or aspects.” We’ve all felt the pressure of two sides at war within us, even if it’s something as small as our lazy side overpowering our desire to go out. Everyone has a masculine aspect that works against our feminine side, and a peaceful part that contrasts the out-of-control Hulks within us.

The best thing about duality is its simplicity – it’s always one side against another and all the messy, complicated other versions of ourselves sort of fall by the wayside as the two true nemeses duke it out.

1. by Igor Morski

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2. ‘Nicola Twins’ by Alfonso Villagran, 2013

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3. by Thomas Fournier

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4. ‘Untitled,’ by Kyle Thompson and Nicholas Scarpinato, 2013

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5. ‘Split the Difference’ by Bryn De Kocks

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6. ‘Two bodies (Fall FW11 skin on skin)’ by Neil Barrett, 2011

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7. artist unknown, illustration found here

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Candida Höfer’s A Return to Italy

German photographer Candida Höfer brought a little Renaissance greatness to London in her series A Return to Italy. The photos were shot over the past two years, and take you through some of Italy’s most sacred stages for art of all kinds.

 

Candida Höfer Palazzo Ducale Mantova I 2011

Candida Höfer
Palazzo Ducale Mantova I 2011

Candida Höfer Teatro Comunale di Carpi I 2011

Candida Höfer
Teatro Comunale di Carpi I 2011

 

 

The series was exhibited this past spring at Ben Brown Fine Arts in London – thirteen large prints hung symmetrically to match the balanced scenes pictured within them. The gallery writes,

“The interiors of palaces, opera houses, libraries and theatres, which Höfer captures with incredible skill, are  part  of  her  meticulous  documentation  of  public  spaces  –  places  of  culture,  knowledge, communication  and  exchange  with  a  rich  history  and  clear  functionality.

Having  rarely  visited  the Northern  region,  Höfer  was  particularly  touched  by  the  naturalness  and  ease  with  which  the  local people there accepted this extraordinary architecture as a part of their daily lives.”

 

 

Candida Höfer Teatro La Fenice di Venezia III 2011

Candida Höfer
Teatro La Fenice di Venezia III 2011

Candida Höfer Teatro La Fenice di Venezia V 2011

Candida Höfer
Teatro La Fenice di Venezia V 2011

Candida Höfer Museo Civico Di Palazzo Te Mantova IV 2010

Candida Höfer
Museo Civico Di Palazzo Te Mantova IV 2010

Candida Höfer Teatro Olimpico Vicenza III 2010

Candida Höfer
Teatro Olimpico Vicenza III 2010

Candida Höfer Biblioteca Teresiana Mantova I 2010

Candida Höfer
Biblioteca Teresiana Mantova I 2010

Candida Höfer Palazzo Ducale Mantova IV 2011

Candida Höfer
Palazzo Ducale Mantova IV 2011

 

Candida Höfer Palazzo Ducale Mantova V 2011

Candida Höfer
Palazzo Ducale Mantova V 2011

Images courtesy of ArtBlart.com

For exhibition views of this show, and more about Candida Höfer, see her profile on Ben Brown Fine Arts.

 

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Grounded Photography from Sarah Rosado

Sarah Rosado uses dirt as a medium, perfectly molding piles into compelling shapes. Each design seems to play with the fact that the material it’s crafted from comes from the ground, either morphing into plants and animals as natural as the ground itself, or running the opposite way and becoming objects of pure human-made materialism. Her work is so whimsical and clean, the mulch laid is against a pure white in contrast so sharp it’s harmonic.

Sarah’s artistic creations started with pencil on paper, but quickly turned digital and now she works in photography as well as design. All of her work emphasizes keeping all types of interpretations open, so that each image can mean as much as possible.

 

 Read what Sarah had to say about her work in the interview below!

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Where do you get the dirt you use in your photographs?  

 

I get the dirt for my photographs by scooping dirt from the ground  in the parks.

  

For you, what is it about dirt that makes it the perfect medium to create from? 

 

The challenge to me is tossing this pile of dirt on the table and bringing it to life by carefully shaping it into the selected object. It’s a great medium as the dirt sways anywhere you take it.  Of course, it’s not easy, it takes practice and having the artistic skill to draw is helpful in maximizing the output of the image.

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How much of the creation process happens after the photos have been taken, and how much of it happens before? (do you make the shapes perfectly out of dirt or edit the shape to perfection digitally later?)

 

The creation process is uniquely custom made.  Everything is handmade using different tools to obtain the desired shape and accessorizing with items found around the house. After that’s done the photo is taken. There is no cropping, or digital enhancements before or after.  It’s all real.

 

 

What’s your favorite (or a couple of favorites) photograph you’ve created? Who are your art idols?

 

My favorite photographs are the smoking revolver, little duckling and the tuxedo which I had lots of fun creating. It’s hard to choose a favorite among so many great artists.

 

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See more of Sarah’s work on her website.

 

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