“The Eventuality of Destiny” shows what could be the Three Graces, or just three random goddesses who are trapped on all sides by gray walls and ceiling. The architecture creates a sense of confinement that’s relieved only under the arm of the featured goddess – a little patch of blue sky that holds three tiny clouds.
This featured goddess stands tall with her arm gracefully draped over her head, and her whole body seems to glow from within with bright fiery colors. The greens, blues and oranges nearly burst out of her assumed human form, and the only sitting goddess looks like she holds whole universes within her. The women overtake the manmade architecture behind them, three maidens in elegant postures and only one reveals her face, bright blue shadows cast across her cheek with the tops and bottoms of her eyes lined in bold streaks of white.
An Italian artist born in Greece, Giorgio de Chirico imagines the Greek goddesses as colossal creatures, perfect in form and covered in color. This painting gives a glorious hopeful portrayal of the supernatural beings in charge of our universe, and yet they’re still confined within the boundaries we created for them.
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Photographs taken at the Art Institute in Chicago. For more photos from this museum, see my Flickr set.
And for more information about this painting or de Chirico, check out this JAMA article.