An abstract human form sits at an angle on a curved bench. There’s no focus at all on accuracy or perfection here, which somehow just makes it more pure. Moore wasn’t worried about the head-to-body ratio or even choosing a sex for this figure– he seems focused on the positioning of the long legs and arms, and the framing of the figure against the curved backdrop.
The entire piece is a rough brown monochrome that seems to exist somewhere between wood and metal. The bronze is easily masqueraded as wood in the curved wall, with horizontal lines that resemble a tree more than incised metal. The figure has shoulders that reach too far back and a head that seems to jut out of its torso, but above the head the wooden wall rises, framing the figure asymmetrically as he or she looks and gestures across the space.